History of Music Essay

I. Introduction medicamentsounds arranged into meaningful expressive patterns. The composing and playing of melody is both a science and an art. Musicology is the study of music as a domain of know conductge, with emphasis on history and theory.The raw materials of any kind of music be certain attributes of soundpitch (highness or lowness), timbre (tone color), strong suit (loudness), and duration. These raw materials be organized by means of the basic elements of regular recurrence (the pulse, or beat), melody (the tune), and harmony (the blending of tones).Music is often called the comprehensive language because its meaning and appeal are largely the same for plenty everywhere. It has almost limitless variety. Music layabout express the widest range of tender-hearted experience and feelingjoy, and grief, love and hate, amusement and reverence. It albumenthorn be call or instrumental, and may be performed by soloist or by orchestra, band, or chorus.Moreover, wind inst rument is a form of music that genuine in the united States between 1900 and 1915. The origin of the word is uncertain. The music was acquired originally by the American Negro, but within 40 years it was being performed and created by citizenry of every national and racial background. By the 1940s no conformation of contemporary American music, serious as well as popular, remained unaffected by jazz. Jazz bands, magazines, and festivals are found in Japan, in randomness America, in North Africa, and throughout Europe (OMeally, 2002).Jazz is difficult to define, and non even jazz musicians and critics agree on a definition. It is a performing artists art, a way of playing. Jazz can non be written kill to show the precise manner in which it is contend. It is most accurately hold not in published scores but on phonograph records.This paper discusses a brief history of the development of some mechanic aspects of music such as musical comedy styles, particular instruments, the recording industry, reaping of jazz, etc.II. DiscussionA. The Nature of jazzRhythm. The infectious, compelling rhythms of jazz are based mainly on the 4/4 march tempo. In conventional music, the first and third beats of a four-beat measure are accented. In jazz, however, the second and fourth are accented, producing a syncopated rhythm. supererogatory complex contrasting rhythms are built upon the simultaneous use of an untimely(a)(prenominal) form of syncopation in which a tone is held through a beat stringer than the one in which it began. Underlying these multiple rhythms is a on a regular basis accented basic rhythm called the beat, or swinga pulsating, lilting feeling that is hard to define and cannot be represented in create verbally by notes (Lopes, 2002).Improvisation is the composing of music while in unfeigned performance without previous rehearsal. It is a basic element of jazz. The improvising musician may compose a impertinent theme, or melody, or may create new variations and patterns on an existing melody. While one member of a band develops a theme another will expand it. all(prenominal) musician in the band adds something of his own and several musicians improvise on the same theme at the same time.Jazz is not totally improvisational, however. Although jazz cannot be notated exactly, much of it is written down, or arranged. Some passages are left unwritten for solo improvisation. This improvisation and the overall rhythmic interpretation of the music make an arranged piece into jazz (Jones, 2000).Instruments. Another characteristic of jazz is the way musical instruments are played. Brass instruments, such as the trumpet, often take on the tone colors of a notification or speaking voice. Mutes are used to give different sounds to the trumpet, trombone, and other instruments. The rhythm section of a jazz band is not exceptional to drums. The piano, guitar, and string bass are also used as percussive instruments (Jones, 2000).B. History of JazzA blending of African and European musical traditions, jazz goes back many years. Revival hymns of the Western frontier, Negro prune songs, and minstrel shows are among its many sources. From them came the blues and ragtime. The blues, a vocal music, developed in rural areas ragtime, a piano music, developed in the cities. subsequently the Civil War many blacks began playing brass-band instruments, and brass marching bands developed.Blues, ragtime, and brass-band music, by the end of the 19th century, blended into a music that today would be classified as jazz. While no one city can be called the birth-place of jazz, New Orleans was one of the most colorful centers of early jazz (Jones, 2000).New Orleans. Around 1898 a brass band led by the cornetist Buddy Bolden played what would probably be acknowledge as jazz. Boldens band, Kid Orys Creole Band, and others marched in parades, played for funerals, weddings, and dances, and performed while riding in advertising w agons. These early bands consisted of one or two cornets, a clarinet, a banjo, and drums. About 1910 the bands began playing in the brothels and shimmer houses of the notorious Storyville section in New Orleans (Jones, 2000).Dixieland. Many white musicians, influenced by the Negro bands, organized their own bands. Jack Papa Laine, with his ragtime Band and his Reliance Brass Band, was one of the first white jazzmen. The musicians in these bands read music, and all their pieces were written out. Although they could not capture the bittersweet mode of the blues, they played an orchestral type of ragtime that was later called Dixieland (Benford, 2004).The Jazz Age. In 1917, the federal government closed down Storyville. nance Oliver, change integrity Roll Morton, Louis Armstrong, Sidney Bechet, and other New Orleans-born musicians went North and helped spread jazz across the country. By the early 1920s, the center of jazz had shifted to Chicago, where it flourished in dance halls and speakeasies. Eddie Condon, gene Krupa, and other Chicago musicians played an intense, driving variation of Dixieland that became know as Chicago style (Benford, 2004).During the Jazz Age, jazz bands became larger, the saxophone was added, and new jazz styles evolved. Virtuoso soloists and new jazz styles evolved. Virtuoso soloists, such as Louis Armstrong and Bix Beiderbecke, became more important as the improvised breaks grew longer. Ma Rainey, Bessie Smith, and other blues singers performed and recorded with jazz bands (Lopes, 2002).III. ConclusionJazz, however, was not yet considered respectable, mainly because of the places in which it was played. The general public heard, instead of true jazz, carefully rehearsed arrangements of jazz-like pieces. Paul Whiteman, called the King of Jazz, was a pioneer in such music.Furthermore, modern jazz is not a single movement or school. Various schools with distinctive styles select developed (Lopes, 2002). Jazz continued undergoing ma ny changes in the 1970s. Herbie Hancock and maam Corea helped popularize jazz-fusion (or jazz-rock), a style that uses electronic synthesizers and electronically amplified instruments.